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American Pharoah spurs Vogue ‘Horse and Rider’ exhibit

With the appearance of American Pharoah in Vogue, the magazine considers the relationship of “Horse and Rider” in the inaugural exhibit of  the online Vogue’s Gallery, a subject that dates from ancient times and that may see a resurgence with the Pharoah’s success.

Among my favorite horse-and-rider works are those involving Alexander the Great and his faithful steed Bucephalus – or “Ox-head,” for the white, ox-shaped marking on his forehead -- whom he tamed when he was just a boy. (Alexander noticed that the big, black stallion was afraid of his shadow and so turned his head toward the sun so he couldn’t see it. The story sounds like a legend, but many historians agree that it’s probably true. Bucephalus and Alexander were a team for many years until the horse died at age 26 in modern-day Pakistan, where he is said to be buried in a town named for him.) ...

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Jared Leto and the bridge of the imagination

If you were to ask me – a woman who considers herself to be a great connoisseur of beautiful men – who is the most beautiful man I’ve ever seen, I’d have to say Jared Leto. He is it for me (though Johnny Depp is a close second.) I’m not talking beauty plus brains, personality, character or anything else but just sheer physical beauty. It’s no wonder that Oliver Stone cast him as Hephaestion – the love of Alexander the Great’s life – in “Alexander.”

So naturally, I was delighted to see Leto as the frontrunner for the Best Supporting Actor Oscar March 2 for his role as a transgender prostitute in “Dallas Buyers Club.” And just as distressed to see a fatuous Time magazine piece titled “Don’t Applaud Jared Leto’s Transgender ‘Mammy’,” in which Steve Friess likens Leto’s gender portrayal to the racial cliché of Hattie McDaniel’s Mammy in “Gone With The Wind.”

There are so many misguided ideas in this article that it isn’t even funny.

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