In our endless summer of discontent — the heat, the humidity, the devastating wildfires, the smoke, the wayward storms, the indictments, the losing Yankees, to name but a few — I’d like to take a break and return to a subject that helped inspire my fiction and this blog, tennis and in particular Novak Djokovic, whose career trajectory has a lot to do with two pairs of themes that fascinate me — power and rivalry and context and perception.
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The Grand Slam of indictments
If indictments were tennis, former President Donald J. Trump would be Rod Laver.
Rod “the Rocket” was the last man to win all four Slams — the Australian Open, the French Open, Wimbledon and the US Open — in a calendar year. He did it twice — in 1962 and 1969.
Trump, however, won’t be lifting and kissing any trophies. Instead of appearing on the court, he’ll be in the courts of four different venues — New York City, Miami, Washington, D.C. and Atlanta, where he’s been charged with everything from paying hush money to a porn star to obstruction, violation of voting rights and racketeering.
Read MoreTo live and die in L..A. -- Greta Gerwig's 'Barbie'
“Barbie” — the billion-dollar blockbuster that has fashion and interior designers thinking pink and movie theaters seeing green (as in dollars) — is a rather deceptive movie. It starts out as a kind of beach blanket battle-of-the-sexes rom-com that quickly builds into a poignant dramedy of what it means not to be a woman or a man but human.
Read MoreThe Trump indictments: The master spinner spun out
Recently, I went to see “Barbie,” a surprisingly touching film about what it means to be human, with a cousin who collects Barbies. Afterward, the conversation at dinner drifted as it invariably does these days to former President Donald J. Trump. I explained to my cousin that whatever you may think of Trump — and she’s a conservative with a higher opinion of him than I have as a moderate independent — you must acknowledge that he is great at creating a narrative and sticking to it. That’s real power — power that is now being seriously countered with his arraignment Thursday, Aug. 3, on charges of fraud, obstruction and violation of voting rights in a federal court in Washington, D.C.
Read More'Oppenheimer' as a mirror for our partisan times
“Oppenheimer” is a magnificent film that paints J. Robert Oppenheimer, the so-called “father of the atom bomb,” in a more sympathetic light than his detractors would like while nevertheless exploring the blindness behind his brilliance.
Read MoreBlind ambition: The antiheroism of Robert Oppenheimer
Friday, July 21, marks the opening of two highly anticipated movies that have nothing to do with each other but have already been paired in the public consciousness, perhaps because they both ask us to consider what it means to be human in a world where people constantly grapple for power.
The two films — “Oppenheimer” and “Barbie” — have already been conflated as “Barbenheimer” (is that like “Frankenstein”?), with movie buffs planning a five-hour double feature of “Oppenheimer’s” main course and “Barbie’s” dessert. (Well, why not? After all, Barbie and J. Robert Oppenheimer were both physicists.)
I’ll have more on Barbie,“Barbie” and the male gaze in a subsequent post. But for now I’d like to consider Oppenheimer (1904-67), the scientist who spearheaded the creation of the atom bomb and whose life, lived at the nexus of ambition and conscience, would be eclipsed by his failure to understand the power dynamic.
Read MoreMoving forward: the endurance of Jacqueline Kennedy Onassis
What would Jacqueline Lee Bouvier Kennedy Onassis make of J. Randy Taraborrelli’s “Jackie: Public, Private, Secret” (St. Martin’s Press, $35, 439 pages) — out Tuesday, July 18, 10 days before what would’ve been her 94th birthday?
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