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The statues of limitations

I must confess to a certain smugness as the debate regarding the removal of Confederate statuary has taken on an aesthetic perspective. For years, I have endured the tacit, passive-aggressive notion from some newspaper colleagues and even bosses that my job as a cultural writer was not as important as those of the political and municipal writers and even the sports reporters. (Indeed, I lost that job partly because it was considered of lesser significance.)

But the arts – somewhat like religion and the family – are the refuge of the desperate and the inconsolable. Unfortunately for the arts, they are a refuge that their seekers often do not fully understand.

Some of my colleagues in my present job as an editor wonder about the artistic value that may be lost in the removal of the Confederate statues. No less an art lover than President Donald J. Trump bemoaned “the beauty that is being taken out of our cities, towns and parks.”

But are these works beautiful and, more to the point, are they art? ...

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The resistance strikes back

“What a week” as “Washington Week” anchor Robert Costa would say. Last Saturday, we saw the worst of America, with neo-Nazis leading to the death of three people at a keep-the-Confederate-statues rally, so-called, in Charlottesville.

But since then the country has rallied around the counter-protest. Democrats and Republicans alike have denounced President Donald J. Trump’s there-was-bad-on-many-sides response to the Charlottesville tragedy. Business CEOs have exited his advisory council and one – James Murdoch, CEO of 21st Century Fox and son of archconservative Rupert – has pledged $1 million to the Anti-Defamation League and has urged his fellow 1-Percenters to do likewise. ...

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Mooch, Mnuch and that ‘New York state of mind’

One of the many complexities that has come to light in the Ringling Bros. and Barnum & Bailey Circus that is the Trump White House is the supposed New Yorkification of Washington D.C. The two cities have always had an uneasy relationship ever since Alexander Hamilton, perhaps the ultimate New Yorker, and Thomas Jefferson, perhaps the ultimate non-New Yorker, struck a deal that would make Washington the political capital of the country and New York, the financial one.

Even today, this remains an unusual arrangement but one that has worked for the United States. As Ric Burns notes in his superb “New York: A Documentary Film," ...

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The wayward gaze: Trump and the ‘other’ perspective

It’s interesting – and not entirely coincidental that Mika-gate exploded right at the end of Pride Month and in a summer that has seen the release of “Wonder Woman” and “The Beguiled,” a movie told from the female viewpoint. Culture continues to consider women even if President Donald J. Trump rarely does (though he did take a shine to blond Irish reporter Caitriona Perry.)

That he fails to take a shine to blond journalists who challenge him like Megan Kelly and Mika Brzezinski is more the material point. ...

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Escaping for a day to Greenwich Polo

Two of the best Sunday afternoons I’ve spent recently found me taking a break from blogging and novel-writing to relish show jumping at Old Salem Farm in North Salem, N.Y. and polo at Connecticut’s Greenwich Polo Club. Both sports figure in the third planned novel in my series “The Games Men Play,” a tale of blood and bloodlines about rival horse families told in part from the viewpoint of a racehorse trying to become the first since Whirlaway to win the Triple Crown and the Travers at Saratoga. ...

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Monuments to misunderstanding: The Confederacy, context and ‘winning’

The recent removal of Confederate monuments in New Orleans – which has hit a raw nerve in the South – says as much about our misconceptions about memorials and winning and losing as it does about racism’s bitter stranglehold on America.

Bryan Stevenson of the Equal Justice Initiative, who appeared on PBS with historian Walter Isaacson to discuss what many blacks perceive to be symbols of lingering racism and some whites see as emblems of political correctness – is right to say that memorials are meant to honor their subjects. They do so not only in the display of what is often great art but in pride of place. ...

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No bull: ‘Fearless Girl’s’ ancient Greek evocation

The controversy over the faceoff between “Fearless Girl” and “Charging Bull” on Wall Street has raised all sorts of psychosexual and political implications.

Some have seen the 4-foot-girl – hands on hips, chest puffed like a sail heading into the wind – as a symbol of feminist ideals. Apparently, that’s what sponsor State Street Global Advisors, which wants to encourage more women in the boardroom, had in mind. ...

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