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Resurrection

As Lent ends and the Easter season begins today with Christians celebrating Jesus’ Resurrection, TV has once again presented its share of documentaries and films about Jesus’ Passion.

PBS’ “Last Days of Jesus” offers a detailed consideration of what it meant to die by crucifixion. I now no longer watch such scenes, just as I no longer watch horror movies. “Those of us who have more yesterdays than tomorrows,” as President Bill Clinton put it at the Democratic National Convention this past summer, prefer to dwell on happier circumstances. Not that we eschew suffering. Indeed, the surest way to prolong suffering is the refusal to endure it. It’s just that we no longer feel the need to go out of our way to create or endure needless suffering. ...

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The Onassis Center’s ‘World of Emotion’

It is perhaps no small irony that the culture that gave us “nothing in excess; everything in moderation” also gave us a literary masterpiece whose first word is “rage.”

The ancient Greeks were a mass of contradictions. But then, human nature is a mass of contradictions and the Greeks were nothing if not masters of plumbing the human condition as seen in “A World of Emotions, Ancient Greece, 700 B.C.-200 A.D.,” on view at the Onassis Cultural Center New York through June 24. ...

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Whose art is it anyway?

The painting shows a young black man in a coffin, his face a blur of color in the manner of Abstract Expressionist art – and violent death.

The departed, then, is not just someone who has succumbed to the ills that the flesh is heir to. Emmett Till was just 14 years old when he was lynched by two white men for flirting with the wife of one of them. “Open Casket, “ on view at the Whitney Biennial, is Dana Schutz’s 2016 painting of a mutilated Till in the open casket his mother, Mamie Till Bradley, insisted on. The work has drawn protests and condemnation from black artists and writers, who question the right of a white woman to appropriate a searing moment in black history. ...

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Beauty in the ‘Beast’

A shoutout to the new film version of “Beauty and the Beast,” which proves you can build on previous iterations and make something that is related but individual.

Of the three Walt Disney versions using Alan Menken’s score – which also include an acclaimed animated movie and a Broadway musical – this latest interpretation is by far the most adult (although kids will still enjoy it). ...

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The problem of the beautiful youth

A new exhibit at the Japan Society considers a moment in Edo culture (17th through early-19th century Japan) when the wakashū, or beautiful youth, held sway as companions for men and even women.

The New York Times has written about this from the viewpoint of our current transgender controversies, which makes sense since the show, through June 11, is titled “A Third Gender: Beautiful Youths in Japanese Prints.” But I’m more interested in the parallels to ancient Greece and what such practices say about morality seen through the scrim of history. ...

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The fall guy at The Met

The resignation – some would say, forced resignation – of Thomas P. Campbell as director and CEO of the debt-ridden Metropolitan Museum of Art can only sadden those of us who favor this beloved institution and know its scholarly leader even casually.

Sadden but not surprised. When Campbell became director in 2008, I thought he was an exhilarating choice, because he was a curator and not a manager. And I thought he was an odd choice, because, well, he was a curator and not a manager. Those mixed feelings turned out to be prescient. ...

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Trump, rape and the demonization of ‘the other’

In the Another-Country-Heard-From Department, Sweden was upset by President Donald J. Trump’s remarks at a campaign rally that implied the country had suffered an attack recently related to a refugee/immigration problem. (Gee, Australia, Mexico, Sweden – three countries down and only 193 left to go.)

"We've got to keep our country safe," he said. "You look at what's happening in Germany. You look at what's happening last night in Sweden. Sweden, who would believe this? Sweden.”

Despite the president’s problems with tenses, he was actually referring to a Fox News report Feb. 17 on an Ami Horowitz documentary that links refugees in Sweden to an increase in violent crimes – a correlation that has been debunked. ...

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