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The problem of the beautiful youth

A new exhibit at the Japan Society considers a moment in Edo culture (17th through early-19th century Japan) when the wakashū, or beautiful youth, held sway as companions for men and even women.

The New York Times has written about this from the viewpoint of our current transgender controversies, which makes sense since the show, through June 11, is titled “A Third Gender: Beautiful Youths in Japanese Prints.” But I’m more interested in the parallels to ancient Greece and what such practices say about morality seen through the scrim of history. ...

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The fall guy at The Met

The resignation – some would say, forced resignation – of Thomas P. Campbell as director and CEO of the debt-ridden Metropolitan Museum of Art can only sadden those of us who favor this beloved institution and know its scholarly leader even casually.

Sadden but not surprised. When Campbell became director in 2008, I thought he was an exhilarating choice, because he was a curator and not a manager. And I thought he was an odd choice, because, well, he was a curator and not a manager. Those mixed feelings turned out to be prescient. ...

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Trump, rape and the demonization of ‘the other’

In the Another-Country-Heard-From Department, Sweden was upset by President Donald J. Trump’s remarks at a campaign rally that implied the country had suffered an attack recently related to a refugee/immigration problem. (Gee, Australia, Mexico, Sweden – three countries down and only 193 left to go.)

"We've got to keep our country safe," he said. "You look at what's happening in Germany. You look at what's happening last night in Sweden. Sweden, who would believe this? Sweden.”

Despite the president’s problems with tenses, he was actually referring to a Fox News report Feb. 17 on an Ami Horowitz documentary that links refugees in Sweden to an increase in violent crimes – a correlation that has been debunked. ...

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Trump as metaphor

When I interviewed historian David Starkey about his new documentary and book “The Six Wives of Henry VIII” in 2001, I asked him about the downfall of the most bewitching of the wives, Anne Boleyn (No. 2) How did such a smart Rules Girl lose her head?

Starkey’s response was a shrewd one: What’s attractive in a mistress is often annoying in a wife.

I thought of that as I watched President Donald J. Trump back on the stump as if it were 2020. (God, if only it were.) Not that Trump is any Anne Boleyn. If anything, his outsize ego, multiple wives and sybaritic cruelty are much more reminiscent of Henry. But The Donald is an Anne in this regard: They have proved better at the  pursuit than the prize. ...

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Vladdie and The Donald: A fine bromance

As a writer of homoerotic fiction, I consider myself a collector and connoisseur of male/male romances. I began with the ancient Greeks, who practically invented homoerotic relationships – all those youths beloved by Apollo, whose depiction reached an apotheosis in the paintings of neoclassical Paris (see Abigail Solomon-Godeau’s provocative book “Male Trouble”); and the relationships of Alexander the Great with his right-hand man, Hephaestion, and eunuch Bagoas, portrayed so movingly in Mary Renault’s “Fire From Heaven” and “The Persian Boy,” respectively.

Then there’s Marguerite Yourcenar’s “Memoirs of Hadrian,” a model for all aspiring historical fiction writers, which tells the story of the titular Greek-loving Roman emperor and his love for the tragic Greek youth Antinous.

Moving on to our own (mostly) gay-friendly, postfeminist time, there’s Gus Van Sant’s ingenious “My Own Private Idaho,” based on “Henry IV,” and Annie Proulx’s hauntingly spare novella “Brokeback Mountain,” made into an equally worthy film by Ang Lee. ...

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Whither the female gaze in the Trump era?

Years ago, I had a dream job with Gannett Inc. as senior cultural writer. One of my beats was to cover the big arts stories of the day and so it was that I found myself on one occasion interviewing Richard Cragun the American-born star of the Stuttgart Ballet and one of the finest male dancers of the 20th century.

In those days, Gannett recycled our stories in its many publications, and my Cragun piece found its way into one of the tabloids overseen by a favorite editor who was fond of the Daily News and New York Post. It was with some sheepishness then that I handed the publicist a copy of the publication with the words “Ballet Hunk” in the headlines. I needn’t have worried. He was thrilled.

I covered most of the great “ballet hunks” of the 20th and early-21st centuries ...

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In defense of Streep, the humanities – and humanity

The latest salvo in the culture war that is surely to deepen under President Donald Trump was fired by Meryl Streep in a graceful and grace-filled speech at the Golden Globes.

I’m not a fan of people using award shows as a bully pulpit, coming of age as I did in the  1970s when such Oscar speeches (think Vanessa Redgrave and an absent Marlon Brando) were a kind of cliché. I’m not a fan of gesture politics like refusing to stand for the National Anthem. I’m not even a fan of Meryl Streep, a sometimes mannered actress (“Sophie’s Choice,” “The Hours”) who’s nevertheless capable of great work (“Marvin’s Room,” “The Manchurian Candidate”).

But Streep – a hard-working craftswoman who has paid her dues – offered a master class in a performer giving a political speech by turning the concept of the politician as performer inside out. ...

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