Greek to me: Met opens “Pergamon,” unprecedented Hellenistic show

April 13, 2016

“So,” a publicist at The Metropolitan Museum of Art asked teasingly, “are there enough Alexanders for you?”

She knows me only too well. Lover of the ancient Greeks that I am, there can never be for me enough images of Alexander the Great – the Greco-Macedonian king whose conquest of the Persian Empire in 331 B.C. ushered in 300 years of Hellenism (Greek culture) in Asia, reversing the course of cultural influence from East-West to West-East, and underscoring a tension between East and West that is still with us.

And yet, there I was in the first gallery of “Pergamon and the Hellenistic Kingdoms of the Ancient World” (April 18 through July 17), surrounded by Alexanders. ...

‘Sudden Death’ and the fiction racket

March 15, 2016

On a recent trip to Jacksonville, Fla. via Delta, I had a disquieting thought. The flight attendants were so friendly, so generous with their drinks and snacks that I felt guilty about the scene in my debut novel “Water Music” in which an officious flight attendant denies tennis star Evan Conor Fallon an extra package of nuts, precipitating an international incident known thereafter as “Nut-gate.”

Mulling the gracious treatment I have always received while flying, I wondered how fair and realistic I had been with Nut-gate. Mustn’t fiction reflect life?

Then while at the beach house my sisters had rented on Amelia Island, I read the introduction to Alvaro Enrigue’s intriguing new novel “Sudden Death” (Riverhead Books, $27, 261 pages) – about an imaginary 16th century tennis match between the Italian painter Caravaggio and the Spanish poet Francisco de Quevedo – in which he writes something that buoyed me so much I felt as if I had made a new friend: ...

Gods among us: Male beauty and ‘Dieux du Stade’

February 17, 2016

What would Abigail Solomon-Godeau make of “Dieux du Stade,” the new book by photographer Fred Goudon, inspired by the “Dieux du Stade” calendars featuring members of the Stade Français Paris rugby club and athletes from other disciplines?

In her 1997 book “Male Trouble: A Crisis in Representation” (Thames and Hudson), the feminist art historian suggests that the nude male has been the primary sex symbol throughout art history, reaching an apotheosis in Neoclassical (turn-of-the-19th-century) Paris in the work of such artists as David, Ingres and especially Girodet, who often portrayed their subjects in the languid pose of women offered up for the male gaze. ...

Updike’s complaint: Gay fiction – and what belongs to us

January 31, 2016

Aaron Hamburger, the short story writer and novelist, begins his laudatory review of Garth Greenwell’s “rich, important” debut novel “What Belongs To You” in the Jan. 31 edition of The New York Times Book Review by indulging in a remembrance of a review past.

He recalls John Updike’s 1999 New Yorker piece on Alan Hollinghurst’s novel “The Spell,” in which Updike – who wrote many sexy novels – complained that Hollinghurst’s “relentlessly gay” fiction bored him because “nothing is at stake but self-gratification.” “What Belongs To You,” Hamburger writes, provides the “ringing” retort to Updike’s complaint.

I suspect that Updike may have been not only bored, though, but frightened and even repulsed. For gay fiction, like gay sex, presupposes the male as love object. And that might’ve been an uncomfortable exploration for the alpha male who wrote the “Rabbit” series and “The Witches of Eastwick.” ...

Sister acts: The beauty trap, continued

January 11, 2016

At first glance, Carrie Fisher, a contemporary actress and author, and St. Teresa of Ávila, a 17th century philosopher, abbess and mystic, wouldn’t appear to have much in common (even though Fisher was reportedly a script doctor on “Sister Act”).

But the two both wound up in the particularly meaty Jan. 10 edition of The New York Times’ Week in Review as unwitting examples of how far women still have to go when it comes to being defined by men, particularly where their looks are concerned.

Fisher, who reprises her role as Princess Leia in “Star Wars: The Force Awakens,” found herself embroiled in an Internet brouhaha in which posters were unable to forgive the princess for aging – as if the Web were a particularly petulant Peter Pan. This prompted novelist Jennifer Weiner to write a piece in which she opined that we all need to let it go, including that endlessly self-improving Weight Watchers’ investor, Oprah. ...

Greek to us: ‘Power and Pathos’ at the National Gallery of Art

December 29, 2015

One of my – and my family’s – Christmas gifts to myself was a trip to “Power and Pathos: Bronze Sculpture of the Hellenistic World,” which is at the National Gallery of Art through March 20.

For me, an amateur classicist whose love of Greco-Roman culture threads all of my writing, “Power and Pathos” in Washington was something of a Holy Grail. It originated at the J. Paul Getty Museum in Los Angeles – one of two big shows on the ancient Greeks to appear this year, the other being “The Body Beautiful in Ancient Greece” at the British Museum.

But neither London nor Los Angeles was in my game plan and when my annual Christmas trip to Washington arrived, so did my moment.

That moment didn’t disappoint, for no sooner did my photographing nephew and I enter the exhibit than we encountered “Alexander the Great on Horseback,” a small first century B.C. silver-inlaid bronze replica of the bronze original by Lysippos, the only artist allowed to capture Alexander’s likeness besides the painter Apelles and the gem-carver Pyrgoteles. The backdrop for this equestrian statue is a reproduced portion of “The Alexander Mosaic” (circa 100 B.C.), depicting the Greco-Macedonian conqueror’s defeat of the Persian emperor Darius III at the Battle of Issus. (Both works are in the Museo Archeologico Nazionale in Naples.) ...